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Famous Artist's Quotes

30/6/2014

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Words of wisdom about creativity and persistence from some of the world's greatest artists.
Famous Artists' Quotes from Malcolm Dewey
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Your Art Is Noticed

26/6/2014

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If no one is watching you perform or admiring your sculpture or displaying your painting or even reading your literary work do not despair. You are not being ignored. Your art is noticed by God since it is God that gave you the compulsion to create. By taking action to create you are honoring God and the gift you have been blessed with. That is enough for now. Tomorrow is another day. 

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Must Artists Sell Out To Make Better Art?

24/6/2014

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Tahiti Women by Paul Gauguin
Tahiti Women by Paul Gauguin (1891)
In ancient times artists produced work for the good of their tribe or village community. Art was a gift not a commercial tansaction. Whether art had a magical or ceremonial function or simply to honor the heritage of the community it was given and accepted freely. This function of the artist continued in similar form for centuries. As commerce grew and a few wealthy community leaders arose they could give patonage to a few artists. Of course as monarchies and city states developed so too did patronage. However things changed rapidly as the rise of the merchant class accelerated in the latter half of the last millenium. Add industrialisation to the mix from 1800 and we can recognise a complete change towards modern lifestyles. A paradigm shift as the economists would call it.

More artists could take up the calling to create, but this increased competition and art as a gift was no longer viable. Artists had to live and compete for a living just like members of other trades and professions. However artists still wanted to create unique work. Different work that spoke for them. A message or concept that the artist needed to communicate. How could such risky work ensure an income? After all the world had gone in the direction of mechanisation to meet demand for products. Cookie cutter art anyone?

Artists have a few choices. Work for the man and retire then take up art. Do art on the side while working at a regular job to pay the rent. Both of these options are compromises and will get in the way of creativity. Third option - do art fulltime and risk it all. This may work for a few, but there will usually be some sort of financial cushion to pave the way. Paul Gauguin, for example, relied on his former earnings as a stock broker. The odds will always be against the artist. Wait for a state grant? Better get comfortable! It will be a long wait.

There is another option however. To sell out.

Selling out has been villified as a betrayal of artist's principles. This idea is perhaps carried over from the sixties and seventies when counter-culture demanded that artists reject collar and ties and all that regimented mainstream thinking. Artists working in corporations were simply regarded as suits. There was no art in such an environment. Time marches on and so too does the demands of the economy. Can artists compromise and still produce unique art?

The starving artists in tie-dyed T-shirts is a thing of the past. It seems that artists have moved into business  and embrace selling out. There is precedent for this and it may surprise you to note that a leading exponent of selling out was Jim Henson of Sesame Street and Muppets fame. In her book Make Art Make Money: Lessons From Jim Henson on Fueling your Creative Career Elizabeth Hyde Stevens illustrates how Jim Henson realised that money had to be obtained to make more great art. To produce Sesame Street required cash. Freedom to make art means not having to fret about paying the bills. So Henson was encouraged to license Sesame Street toys. A move he hated to do, but with fantastic financial rewards that could be reinvested in his art.

Henson realised that selling out with a plan and purpose was in fact giving him freedom to create unique art on his own terms. How does this translate for artists trying to make ends meet? What products can you produce that can be replicated for volume in order to raise funds for something unique? Perhaps prints, licensing, DVD's, books, downloads, lessons, demonstrations, freelancing and many other avenues opening up in the connected economy. All of these opportunities are part of the artist's way to fuel unique art. 

It is the artist's unique art that is the modern gift. No it is not given for free, but it is still created and shared in an age of commodatisation. That is the gift. Without unique work our community is lost in sameness. If it means selling out to do so then so be it.

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Art, Belief and Magic

13/6/2014

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When we believe what we see, we allow the magic to happen
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Rain Steam and Speed the Great Western Railway by JMW Turner (1844)
Is seeing believing? Maybe in some cases. In art however, when you believe what you see then you allow the magic to happen. 

We know the phrase " too see like an artist" and we know that it applies to the technical things like seeing the shapes and values in a scene. It is much more than technique though. What is often overlooked is that the artist must see what will create the magic for the viewer. 

The illusionist relies on sleight of hand to fool the audience. We believe and call it magic. The unexplained takes on a mystery of its own and it enthralls us. Yes we know it is a trick, but we accept the bargain because of what we get in return. A moment of joy, wonder and escape. Is this not what we also get from art that moves us?

How does the artist make us believe? Take for example the above painting by Turner. A scene filled with light, wonder and mystery. In reality it is a train charging across a bridge at the height on England's industrial revolution. Spewing smoke and shrieking noise in a grimy industrial setting. We would usually hasten away from this awful reality. But the artist has seen something else.

Using his mastery of the medium Turner has created a painting that makes us stare at it in wonder. We try to fathom what is going on and look for other details. Our minds seek out images as we peer into the golden mist and smoke. What is bearing down upon us? Our mind says it is a train, but our imaginations see a fiery maw charging towards us. Magic.

The painting hooks us in. Why? Deep down we are part of a shared experience. At once repelled and also drawn in. There is more than our first impression of an everyday. There is something beautiful too. Would we see this without the magic of believing in the artist's work?

What would life be without these illusions that we accept so readily? Unacceptably dull and appallingly real. We all want the illusion. To escape and see beyond the material. To believe for a moment.
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From Acrylics To Oil Painting in 5 Easy Steps

10/6/2014

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Great for Beginners: Enroll Here!
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This new course launched on Udemy is intended to help artists wanting to start painting in oils for the first time. It will also help those artists struggling with oil painting although they have experience with acrylic painting. 

In this course I show these artists how to use acrylics to set a foundation for their painting before finishing the painting in oils. A full demonstration of the process is provided with over 80 minutes of video instruction. It is a course suitable for beginners too. Give it a try!
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Top 10 Best Art Books: A Personal Selection

2/6/2014

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Top 10 Best Art Books
It must be true that most passionate artists love to study other artists they admire. Whether it is for their sublime work, curiosity or to learn new things. We love to immerse ourselves in the world of art and books are one way to do this. Sometimes it may be procrastination that keeps my nose in an art book when I should be painting, but who cares. Reading about art is a great way to spend some quiet time to reflect and be inspired. These days with the magic of e-books I can get access to publications that are not available in my local bookstore. Within seconds! What a great time for book lovers! 

Over the years I have accumulated a collection of books whether in print or digital. Some gather dust while others are dog-eared and paint splattered from regular use. Books are an essential part of an artist's studio so find a nook where you can put up shelves or a bookcase, get a comfy chair and read about art now and then. Of course this must be followed by work at the easel while fired with inspiration!

I have put a list together of my all time favorite art books. Perhaps you have some of these and a few that you may like to try. I am always on the lookout for new books too so please share your favorite books by leaving a reply below.

Click the image for more info about the book.
1. Landscape Painting Inside And Out by Kevin Macpherson:
No landscape painter's studio is complete without a copy of this book by this world renowned artist. Macpherson is a top plein air painter who lives his art with a generous spirit. This book is filled with tips and demonstrations of plein air and studio paintings. "Paint by the pound" is one of my favorite quotes which refers to the author's lavish use of paint to get rich textures and colors on his canvas. I think Macpherson more than any other inspired me to paint shapes and values instead of fiddly details. It takes a leap of faith, but it is worth it. Try it for yourself. (P.S. Kevin Machperson's other book "Fill Your Oil Paintings With Light and Color" is also a keeper)
2. Landscape Painting by Mitchell Albala
This is a thorough work covering materials, approach and process for landscape painting in and out of the studio. Albala uses his work and that of other artists to illustrate the essential concepts of shape, color and value. He also covers the use of photography in painting and how to explore the world of abstract landscape painting. This should cover all you need to know about  painting landscapes, but as we all realise there is no end to learning so we gladly forge on!
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​3. The Painterly Approach by Bob Rohm: 

While this book also touches on techniques it is more useful to show us the difference between the painterly approach and the linear "realist" approach. As you may note I appreciate a painterly approach that emphasises my personal way of seeing and expressing. Although Rohm's paintings are representational he uses big shapes, values and color for a loose and lively painting style that gives so much more to the viewer. If you are interested in this style then this book will help you achieve the painterly approach.
4. Paintings in Oil and Watercolour by Jane Corsellis: 
This British artist is a master at both oils and watercolor. Corsellis' book is not a how-to book, but is rather an insight into her process. The author speaks candidly about her reasons for painting and her approach to oils and watercolor so that you get an idea of how to look at your own subject. Corsellis paints landscapes, still-life and interiors together with figure studies all with a loose and energetic style.  From composing a picture to working through the problems of expressing her response to the subject this book gives a unique and personal view of the artist. The book is also lavishly illustrated with her magnificent paintings and sketches. (See more here) 
5. Alla Prima II : Everything I Know About Painting by Richard Schmid:
American artist Richard Schmid is considered to be one of the world's greatest artists. So a book that professes to contain all he knows about painting must surely be essential for your library, not so? This book does no disappoint as it covers a wide arc of skills and approaches to various subjects. It is not an easy book for the beginner or the occasional painter. This book requires your careful attention and thought to get the most benefit from Schmid's wisdom. Make no mistake there is no short cut to mastery and Schmid shows a tremendous work ethic. This is good to know. Art is sublime and wonderful, but also requires work. You will read this book many times and learn from it over the years.
6. Hawthorne on Painting:
For something different the extracts from Hawthorne's critiques of art student's work is both insightful and instructive. Hawthorne is also an inspiration to many gret artists including Kevin Macpherson so it is worth adding this book to your collection. Hawthorne stood out for me with his emphasis on painting shapes of color mixed to the correct value. There is nothing else that the artist need do. Forget the details. Look for truth in shapes and color. It sounds so simple yet it is perhaps one of the greatest hurdles that new artists need to overcome. This approach applies to portraits, landscapes and still life. There are no illustrations in the e-book that I downloaded, but that does not detract from the message. (See previous blog article)
7. Capturing The Moment In Oils by David Curtis and Robin Capon:
I love the honest and sympathetic approach of David Curtis. His paintings of the English countryside evoke peace and harmony yet they are not choc-box paintings. His work sparkles with light and energy, full of life. Curtis leads us through his ideas and process covering many subjects and methods to add impact to our paintings. I do admit to wanting to know more about the artist's methods and you will understand this when you see how a few of his brushstrokes creates magical color effects. It certainly inspires, but leaves me in no doubt that what we need as artists is consistent work and time to master our art.
8. The Art Spirit by Robert Henri:
 If in doubt about the importance of art and whether you have a contribution to make then Robert Henri's personal philosophy will renew your own spirit. A gifted teacher and committed artist Henri's wisdom inspired many young artists to become masters over time. Read a few pages each day, mark passages that inspire you and go back to it from time to time. A panacea for a parched artist's soul! (see more here)
9. An Artist Empowered: Define and Establish You Value As An Artist Now by Eden Maxwell: Philosophy, art and zen are woven together in this fascinating view of the artist's personal journey. Is art your purpose in life? Your calling? This is a profoundly difficult question to answer in a materialist world where we are judged in monetary terms. Fear of starving as an artist? This book will remind you that it is your soul that is at stake. Be brave and true to your calling. (see more here)
10: Gardner's Art Through the Ages : A global History:
 I could not leave out this essential work for the true student of art. The book I studied thirty years ago has been consistenly expanded and revised over the years. It covers the development of art in it various mediums throughout the world from pre-civilisation to present day. An investment for sure. 

​There are of course many other books that cover every aspect of art. Read and be inspired to create your own art. It is a beautiful way to live. As these books also remind me - life must be enjoyed. Let us not take it all too seriously. Time is short.

What art books do you love? 


PS: Check out this video where I show you three special books by my favorite contemporary painter.
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